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I wanted to see if I could get one of my little videos done in one night. For the extra challenge, I shot it as a shaky handheld video instead of using a tripod and used a character with fur. This Weasyl remix introduces some motion blur and focal blur for extra photorealism, and the Flash version is at least twice the resolution of the version I posted to Twitter/FA. :)
The amazing Judy Hopps model I used in this animation is by splatypi and is free to download and use for Blender on Blendswap: http://www.blendswap.com/blends/view/83856
Made in Blender and Krita all running at once with multiple instances so I can de-shake handheld footage, matte out my jeans leg, animate bunnies, draw effects animation, test composite setups, re-shake the de-shaken footage, render to image sequence AT THE SAME TIME. Really makes things quicker when you don't have to wait!
Submission Information
- Views:
- 5569
- Comments:
- 12
- Favorites:
- 52
- Rating:
- General
- Category:
- Multimedia / Other
Comments
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Well any foot that can do THAT is a pretty nice foot.
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The blur really sells it!
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Yeah amazing how a little photorealism just kicks things up a notch... while doubling the rendering time... :)
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Holy dang this is really amazing! I especially love the little magical effects, they're very classically cartoony.
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Thanks so much! I love them old hand-drawn sparkly effects too, they're great fun :)
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Wowww man! This is beautifully executed! :)
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EEEEEEE! IT'S A GREENFACE! Thank you! :D
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So do you overlay the animation, or motion track the model to your body and tweak it from there?
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Both! The foot was motion-matched to my foot frame by frame (by hand - it's quicker) then composited in over the live-action plate. The hand I just put in there afterwards because it felt right.
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do you have any people wanting to volunteer an models for animation?
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No doubt! I'm having to disappoint all of them for the time being for a couple of reasons:
- There's invisible stuff going on behind the scenes of this shot which require on-set knowledge of directing, cinematography, shot design and visual effects supervision. I don't feel like teaching someone all that stuff from scratch.
- I only really do these when I feel like it. I wouldn't want to keep anyone waiting for inspiration to strike, especially if they've paid me to do it for them!
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Alpharad35
very neat animation, would it bother you if I also said that you have a nice foot?