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Art and Frustration by Aaros

Here's another journal about art.
There's this frustrating emotional element to it that some people may get, some people may not. The most frustrating element is I feel like it's very unrelatable to other people and I'm guessing most people who don't work on art don't understand it. But it's the pure frustration and sort of anger you get at yourself when you're trying to create something, you know what it needs to be, but for whatever reason your skill isn't enough to accomplish what you are trying to create.

There's something that just creates the worst feelings of self-hate and unhappiness when you are trying to create something, and you can't make it look right, and your references are all taunting you. It's like, I can SEE what it needs to look like, right here, and yet somehow I can't make it happen. Why can't I absorb what I see in my references? Why doesn't my picture work? Why is it that some people are able to perfectly capture what they see but clearly I am very blind? Perhaps I am dense, perhaps I am not trying hard enough, but either way I feel like shit because I am so very aware of how short what I am creating falls of what I can see it should be.

Usually this happens with the technical and theory parts of art. It's the technical aspects that are generally undetectable to the untrained eye and you have to learn to see them because usually your brain is ignoring them when you look at pictures. Perspective issues, color theory issues, to some extent anatomy and other theory aspects of art all are things that make pictures subconsciously "click" when done right and look completely off when done wrong - but often unless you know how to look for them you can't tell what's wrong when they're done wrong, you just know that it looks wrong. It's extremely frustrating to be on the side of that where you are aware there are things going on that are not as they should be, but you can't see why because you haven't developed a sense of what to look for.

This is one reason, on an unrelated note, why even though I don't mind "critique" when I post art online on public sites like this, I don't generally ask for it because the kind of "critique" you get is people pointing out things like "your lines look wobbly" or "the head looks too big" and stuff like that which may or may not be true, but usually are the kinds of things that you can observe, and really, anyone can observe - you don't need those pointed out to you, what you need is help understanding how to fix them, and usually you can only get that when you have someone who can explain things in terms of theory, or offer technical advice on how to get a better result, photoshop advice, advice on art technicalities, etc. But that isn't always the case obviously.

Anyway...What I'm trying to say is, sometimes I try my best, and it's not good enough, and sometimes it drives me to tears, just staring at the screen, wondering why I can't make it good enough, why I'm so dense, and so on. The more you understand about art, I think, the more and more you realize how limited your skills are. I also don't feel this most other times I encounter my own limitations...if I'm struggling with a math or programming problem, I might get a headache, but I never get moved almost to tears, and that just shows I guess that I have less emotional engagement with those things than I do with art.

Art and Frustration

Aaros

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  • Link

    I know the feeling. It seems like an impossible endeavour to try and get my vision of what a piece should look like onto the canvas. I study a lot, but I've got such a long way to go.

    There are two methods that help combat that despair: The first is to go over your older art, and realize just how much better you've become. It's especially evident if you recreate one of your old drawings. The second one a quote that I like to keep in mind:

    "Excellence does not require perfection."
    — Henry James

    You're very good, Aaros, and as long as you continue to study and practice, you're only going to get better and better. Keep your chin up.

    • Link

      Well...I may keep getting better and better, but it feels like there's such an insurmountable mountain to climb and I'm just chipping away at it, and I wonder if i'm ever really going to get there; it seems like so many people are much faster at it than me. That's my big concern

  • Link

    I feel like the people who really succeed at art are the people who can let go and just ignore how terrible they're doing at putting down the image they have in their head, and instead just let the piece go where the piece goes. Like, they turn it around and make the process of drawing an adventure to see where it takes them, rather than trying to force it to be a particular thing.

    I feel like it's a lot easier, if you do that, to let go of all the little imperfections and technical failings. You see them, try to learn from them, but move on and let the picture come together as it will.

    There's a similar philosophy in music, where instead of concentrating and stressing about what the right notes to play are, you instead just learn to make whatever notes come out work in your favour, and sew them back into the music by the notes you follow them up with. The whole "there are no wrong notes" theory.

    • Link

      Well if you are only ever just letting it go wherever then you're never going to have proper anatomy or perspective or anything like that! Obviously you have to put effort into making your fundamentals correct, or it'll never look good. And when you consider turning pictures in for professional clients down the road, they kind of have to have all those fundamentals correct, every time, reliably, and on time as well..

      • Link

        Sure, but you have exercises and studies to hone your skills, where the results are set aside for the sake of learning, and then you have finished, polished art where the studying is set aside for the sake of results.